CYNTHIA BETH RUBIN Sculpteur
SELECTED RECENT / CURRENT EXHIBITIONS
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2000 | PABA Gallery, New Haven, CT
Connecticut Commission on the Arts, Grant recipents, Hartford CT
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1999 |
GAMUT, Colville Place Gallery, London UK
SIGGRAPH Art Show, Los Angeles CA (selected for Traveling Show)
Digital Traces, 55 Mercer Street, New York, NY
Spiri(tu)ELLES II Martiques, France
The Digital Muses, Wellesly College Jewette ArtsCenter, Wellesly MA
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1998 |
Journées des Images Professionelles (JIP) Marseilles, France
Spiri(tu)ELLES Ventrabren Art Contemporain, France
Postmark International, Artspace, New Haven, CT
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1997 |
ARCADE London, UK (toured toSiberia and Russia in 1998)
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1996 |
International Symposium on Electronic Art, Rotterdam, The Netherlands
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1995 |
CODE Ricco/Maresca Gallery, New York, NY
SIGGRAPH Art Show, Los Angeles CA
Les Atriums/Galeries Arts Technologies, Montréal, Québec
Virtual Galerij EKKO, Springtij Festival, The Netherlands
Centro Cultural Cândido Mendes, Mostra Banco Nacional de Realidade Virtual,Rio de Janeiro, Brazil
Kalisher Computer Art Show, Tel Aviv, Israel
Recent Acquisitions: Works on Paper by Women Artists, Memorial Art Gallery, Rochester NY
Scrap Book/Book Art" Ramapo College, Mahwah N J
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1994 |
Imagination 94, The Netherlands
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1993 |
"But is it Art?" Northwest Society for Photographic Education, Pacific Lutheran U,Tacoma WA
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1992 |
Third International Symposium on Electronic Art, Sydney, Australia
Shirley Fiterman Gallery, New York, NY
Imagina Digital Gallery, Monte Carlo, Monaco
solo Galerie Arts Technologies Montréal, Quebec
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1990 |
Second International Symposium on Electronic Art Groningen, The Netherlands
solo Wave Gallery New Haven CT
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1989 |
solo New York State University, College of Technology, Utica NY
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1988 |
solo Galerie de Rue du Chapeau Rouge, Avignon, France
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1987 | solo Sarah Doyle Gallery, Brown University Providence RI
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1985 |
solo Dalia Tawil Gallery, New York NY
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SELECTED SCREENINGS |
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Inherited Memories : 1997 music by Bob Gluck
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1998 |
DeCordoba Museum, Lincoln MA
Convergence Film Festival,Providence RI
New York State Conference on New Technology
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1997 |
SIGGRAPH animation festival, Los Angeles CA
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Les affinités recouvrées : 1994 co-produced with VIDEOCHRONIQUES, music by Atau Tanaka
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1996 |
The Living Room Festival, Public Television, San Francisco CA
Pandemonium Festival, Institute of Contemporary Art, London UK
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1995 |
Boston Jewish Film Festival, Museum of Fine Arts, Boston MA
Festival Art Vidéo, Casa Blanca, Morocco
Florida Film Festival, Orlando FL
Jewish Film Festival, Castro Theatre, Berkeley CA (opening night)
Vue sur les Docs, Marseilles, France
International Symposium on Electronic Art, Montréal, Québec
Jewish Video Festival, Judas Magnes Museum, San Francisco CA (honorable mention)
Art in General, New York City NY Second International New York Video Festival,
Middle East Studies Association FilmFest, Washington, DC
Candid Camera, Lodz, Poland
SERMEISS - Southeast Regional Middle East Islamic Studies Seminar
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1994 |
DEAF Seminar on computer animation, Rotterdam, The Netherlands
Les Rendez-Vous d'Imagina, Paris and Marseilles, France
Instants de Vidéo, Manosque, France
Cable Television Broadcast, Toulouse, France
Musée d'Art Contemporain, Grenoble, France
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Remembering Home produced 1993, music by Stephen Farrington
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1995 |
Festival Art Vidéo, Casa Blanca, Morocco
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1994 |
Instants de Vidéo, Manosque, France
Jewish Film Festival, Berkeley CA
Kalisher Art Show, Tel Aviv, Israel
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Gothic Tempest 1987, co-produced with David Smalley, music by Noel Zahler
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1991 |
Real Art Ways, Hartford CT
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1989 |
Southern Methodist University, Dallas TX
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1988 |
Walters Art Gallery Studio, Baltimore MD
International Computer Music Association, Cologne, West Germany
Connecticut Public Television Broadcast
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SELECTED COLLECTIONS
Memorial Art Gallery, Rochester NY
Channel XXI Public Television, Rochester NY
A. T. & T., Corporate Art Collection, Somerset NJ
Allegeny Arts Council, Cumberland MD
Connecticut College: Department of Mathematics, Admissions Office (2 works), New London CT
Connecticut Department of Public Works (through Arts in Public Spaces)
Yale University Hillel Foundation
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GRANTS AND FELLOWSHIPS
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2000 |
The Connecticut Commission on the Arts, Individual Artist's Grant
Williams College, Bronfman Artist Residency
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1997 |
CYPRES, l'ecole d'art d'Aix-en-Provence, France invited artist for web workshop
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1996 |
Duncan of Jordanstone, University of Dundee, Scotland Artist Residency
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1994 | Institut Méditerranéen de Recherche et de Création, Marseilles, France Artist Residency
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1992 |
Centre Copie-Art, Montréal, Quebec, Artist Residency
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1991 |
New England Foundation for the Arts, New Works Regional Initiative Artist's Grant
Studio Graphique d'Apple France/Actes Sud, invited artist for workshop and competition
University of Vermont, Research Advisory Council, Research Grant
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1988 |
Art in Public Spaces program, State of Connecticut, Commission
Connecticut Public Television, New Video Award (collaboration with David Smalley)
Helai, The Israeli Center for the Arts, Ma'alot, Israel, Artist Residency
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1987 |
The Memorial Foundation for Jewish Culture, Research Grant
The Connecticut Commission on the Arts, Individual Artist's Grant
The John Anson Kittridge Educational Fund, Research Grant
Fondation Michael Karolyi, Vence, France, Artist Residency
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PUBLICATIONS, AUTHORED REVIEWS
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1998 | Bridges, cover image and assorted illustrations, Volume 7 Number 1
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1996 | "SIGGRAPH" FPS, Pawn Press, Montreal
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1995 | "Morphing Sensibility" Computer Graphics, ACM, New York City NY (August issue)
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1994 | "Faculty Guidelines in Computer Based Media in Fine Art and Design" Computer Graphics ACM,New York City NY vol 28, Nov.(with Annette Weintraub, Dave Poindexter)
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1993 | "JIP at Arles", Pixel Vision, #10: New York
"Quoting and Appropriation. . ." (presented at TISEA) in Art & Cyberculture, Ross Harley, ed August issue of
Media Information Australia: Sydney
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1992 | Art and Design Educational Slide Set, editor and contributor, ACM SIGGRAPH: New York, NY
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1991 | "SIGGRAPH Art Show, 1991" FINEART Forum, volume 5, number 16: Berkeley CA
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1990 | "SIGGRAPH Art Show", Pixel:le magazine des nouvelles images #9: Paris
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1983-1986 | Contributing Writer, (regional reviews) Art New England, Brighton, MA
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1980 | Nightsun, cover design and illustrations, Frostburg, MD
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EDUCATION
Maryland Institute, College of Art, Baltimore, Maryland MFA Painting 1977
Antioch College, Yellow Springs, Ohio BA Studio Art 1972
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SELECTED REVIEWS, INTERVIEWS, PUBLISHED IMAGES
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1998 | artist feature, television interview , France 3 Mediterranean Edition
various illustrations, Anne Morgan Spalter, The Computer in the Visual Arts
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1996 | artist feature, television interview Rio de Janeiro Brazil
"Across the Fence", produced by University of Vermont,Channel 3 March
artist feature Computer Design, Seoul, Korea January
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1995 | "City Arts/CODE Exhibition ", Kathy Brewer WNET Channel 13 October
"Artifice, Artifact. . .", Annette Weintraub Leonardo Vol 18 #5, USA
Computer Graphics Gallery, NIKKEI Computer Graphics #10 Japan
SIGGRAPH Video Review (Les affinités recouvrées)
Cover Image, program guide for Vidéo Lux Associates, Marseilles, France
"Spectaculaire....", Moniek Janssen Inter- Info Magazine(The Netherlands)
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1994 | Artist Feature,Teresa Wennberg The Perfect Match, Malmö, Sweden , Nov. 4, Vol 25, p. 29
artist interview, Nth Video Series, GRAM Université du Québec `a Montréal
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1993 | "Digital Art. . . ", Jean Marie Angelo Computer Pictures May/June
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1992 | "The Computer and Tradition", (artist feature)Confetti: Bits and Pieces, Summer
"TISEA" Desktop Magazine (Australia), September
Cover Image, New England Foundation for the Arts, New Works Regional Initiative
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1991 |
"SISEA" Redazione Pixel, (Italy)
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1990 | "Traditional Modernists" Lelia Avrin Haddassah Magazine ,summer
"Cynthia Beth Rubin: Paysages Bibliques" Jacques de Schryver Arts Graphiques, (France)
"SISEA" P/Im, (The Netherlands), summer
Illustration, Getting Started in Computer Graphics, Gary Olsen: Northern Light Books,
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1989 | "Cynthia Beth Rubin: La Bible de Provence" Jacques de Schryver Micro Systemes; (France)
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1988 | "La Modernite Picturale de Cynthia Beth Rubin" On Sort, Le Provençal, May 18
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1987 | "Cynthia Beth Rubin:Paintings and Computer Art" Jan Swearer, Art New England, June
"Taking a Byte out of Reality" Bill van Siclen, The Providence Sunday Journal, April 19
"Winners' Works in Hartford" Bill Zimmer The New York Times CT Section, February 22
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1985 | artist feature John Carlin, Arts Magazine, October
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SELECTED LECTURES, VISITING ARTIST PRESENTATIONS
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2000 | poster session, ISEA 2000, Paris, France
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1999 | Artist presentation, Faculteit Sociaal Agogische Opleidingen, Utrecht, the Netherlands
"Digital by Choice: New Imagery in the Age of Technology" Quinnipac College, New Haven CT
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1998 | SIGGRAPH Boston, Artists Panel
Artist presentation, Wellesley College, Wellesley MA
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1997 | Artist presentation, Brown University Graphics Group, Providence, RI
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1996 | Panel Moderator, "Breaking the Code: Art that Does not Stand on It's Own" ISEA Rotterdam
Artist presentation, University of Dundee, Duncan of Jordanstone, United Kingdom
Artist presentation, University of Brighton, United Kingdom
Artist presentation, University of Bristol, United Kingdom
Artist presentation, Middlesex University, United Kingdom
panel co-chair: Running to Stay in Place: Developing Guidelines for Faculty in Computer- based Media in Art and Design, College Art Association Annual Meeting Boston MA
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1995 | artist presenter, panel: Artists Talk Code, Tish School of Art New York University, NY
"Morphing Sensibility" SIGGRAPH Educator's Panel, Los Angeles CA
Artist presentation, CYPRES, l'école d'art d'Aix-en-Provence, France
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1994 | "Output Sufferings: Escape from the Virtual", ISEA, Helsinki, Finland
"Running to Stay in Place", panel co-chair, ISEA, Helsinki, Finland
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1993 | artist presenter, panel: Dimension X, Women's Caucus for Art Annual Meeting, Seattle, WA
artist presenter, Works on Paper Discussion group, SIGGRAPH Annual Meetings, Anaheim CA
"Wandering Home: An Artist's Search for Sources" Women's Studies Series, UVM
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1992 | "Quoting and Appropriation. . . " Third International Symposium on Electronic Art,Sydney
"2D Art: Ruler of the Ambiguous Zone" TISEA ,Sydney
Artist presentation, New South Wales College of Art and Design, Sydney, Australia
"The Computer did That?Looking for the Artist in Computer Art"Fleming Museum, Burlington
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1991 | "New Conceptual Pathways..." Computing Across the Curriculum, U of Vermont, Burlington
"New Medium, New Process, New Imagery" College Art Association , Washington D.C.
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1990 | "The Computer and Artistic Process" SISEA Groningen, The Netherlands
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PROFESSIONAL ACTIVITIES
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1997- 01 | Board member, ISEA (Inter-Society for Electronic Art) ; Chair of Cultural Diversity
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1997 | International Advisory Comittee, ISEA 98 Manchester, UK
College Art Association Committee on Electronic Information
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1996 | International Advisory Comittee, ISEA 96, Rotterdam, The Netherlands
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1995 | co-chair, Conference Committee (colloquim) ISEA 95 , Montréal
Exhibition Committee for ISEA95, Montréal (includes jury for parts of exhibition)
co-author, Guidelines for Faculty in the Electronic Arts (presented at ISEA 94; accepted as panel for CAA for 1996, published by SIGGRAPH, adopted by College Art Association)
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1993 |
International Advisory Comittee, ISEA 93, Minneapolis
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1991-92 |
Program Committee, Computing Across the Curriculum Conference 1991 & 1992, UVM
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PROFESSIONAL EXPERIENCE
Freelance artist/consultant
Projects include: Exhibition development for the Museum of Jewish Heritage, NYC, with Art(n)Lab, Chicago. Primary 2D artist in team of 2D/3D artists and technicians. Separated historic photographs for projection in simulated 3D space, generated textures for 3D models, collaborated on composition. Design and development of interactive pieces for CD rom, working with ZAP media, Providence. Cover Design and Layout, for Bridges Magazine Free-lance Workshops in New Media for the Interactive Factory, (Boston), nSight (Cambridge) and New England Foundation for the Arts.
University level Teaching
Rhode Island School of Design (part-time 1997-present), University of Vermont (1990-1997), Connecticut College (two-thirds position 1981-1990), Frostburg State (1978-1981). Courses taught and developed include: Computer Art, Computer Animation, Drawing, Color Theory, Painting, 2D Design, 3D Design, Web Animation, Faculty Workshps. Developed first computer courses at Connecticut College and University of Vermont.
Museum Education
ArtKit Designer/ Coordinator (1973 - 1975),Regional Center for Educational Training. Developed educational materials in Art and Anthropology for school outreach program of Dartmouth College based Montshire Museum; coordinated teacher training for rural schools without art programs. Previous experience at Pacific Science Center, Boston Children's Museum.
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SELECTED RECENT PROJECTS:
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Current: |
Development of web-based artwork and computer animation, partially funded by the Connecticut Commission on the Arts. Imagery is derived from photographs of historical places, reflecting the hierarchy of imagined and real moments of memory. Focus is on Diaspora culture and other cultural memories.
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Recent: |
Painting/Collage prints incorporating several historical elements. Visiting artist at Research Division of Eastman Kodak Company to output imagery (March 2000). Creative work done as Bronfman Visiting artist at Williams College (January 2000). Exhibited at PABA Gallery March 2000. (New Haven, CT), GAMUT (Colville Place Gallery, London UK, SIGGRAPH Art Show (Los Angeles CA and selected for Traveling Show) Digital Traces (55 Mercer Street, New York, NY), Spiri(tu)ELLES II (Martiques, France) The Digital Muses (Wellesly College, Wellesly MA). Included in 1998 Journées des Images Professionelles (Marseilles, France), featured in television interview on France 3.
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1998: |
Exhibition development for the Museum of Jewish Heritage, NYC, with Ellen Sandor of Art(n)Lab (Chicago) and Carolina Cruz-Neira (ICMENT Lab at Iowa State University). Primary 2D artist in team of 2D/3D artists and technicians. Separated historic photographs for projection in simulated 3D space, generated textures for 3D models, collaborated on composition. Worked with Photoshop images imported into SoftImage.
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1998 |
Jonah's Memories: web-based artwork <http://CBRubin.net/art/public/water>. Begun at CYPRES, l'ecole d'art d'Aix-en-Provence (France) as invited artist for web workshop (1997). Exhibited at Spirit/u/elles (Ventrabren Art Contemporain, France). Included in Assemblage: The Women's Hypertext Gallery (Carolyn Guertin, curator, in association with trAce, Nottingham Trent University, UK)
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1997: |
Inherited Memories : Computer animation based on composite photographs of Eastern European Synagogues and other sites. Digital music by Bob Gluck. Begun while artist in residence at Duncan of Jordanstone, University of Dundee, Scotland, and completed at the Brown University Graphics lab. Screened at the DeCordoba Museum (Lincoln MA), Convergence Film Festival (Providence RI), New York State Conference on Arts in the Digital Age, and SIGGRAPH animation festival (Los Angeles CA), among others. In collection of DeCordoba Museum and included on SIGGRAPH Video Review.
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1994: |
les affinités recouvrées : Computer animation based on composite photographs of Morocco including Synagogues and other sites. Digital music by Atau Tanaka. Produced while artist in residence at Vidéochroniques (Marseilles, France). Screened at The Living Room Festival (Public Television, San Francisco CA) Pandemonium Festival (Institute of Contemporary Art, London UK) Boston Jewish Film Festival ( opening night, Museum of Fine Arts, Boston MA) Festival Art Vidéo (Casa Blanca, Morocco), Florida Film Festival (sponsored by Universal Studios, Orlando FL) Jewish Film Festival, Berkeley CA (opening night) Musée d'Art Contemporain (Grenoble, France)and other venues in France, Canada, USA, UK, and Poland. In collection of Vidéochroniques and included on SIGGRAPH Video Review.
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1993: |
Remembering Home: Computer animation based on composite photographs of Spain, including Synagogues and other sites. Digital music by Stephen Farrington. Partially funded by the New England Foundation for the Arts and the University of Vermont Research Council. Screened at Festival Art Vidéo (Casa Blanca, Morocco), Instants de Vidéo (Manosque, France) Jewish Video Festival (Judas Magnes Museum, Berkeley CA), Kalisher Art Show, (Tel Aviv, Israel)
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1992: |
Produced Series of still imagery based on experimentation with photocopy art combined with painting and digital imagery, partially supported by an artist in residence grant from Centre Copie-Art (Montréal, Quebec). Resulting work published and exhibited by Centre Copie-Art. Exhibited also as at Imagination 94 (The Netherlands), the Northwest Society for Photographic Education (Pacific Lutheran U,Tacoma WA), SIGGRAPH Art Show (Los Angeles CA) Virtual Galerij EKKO (Springtij Festival, The Netherlands).
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1991: |
Invited Artist for Adobe Photoshop workshop upon the release of Adobe Photoshop version 1. Workshop co-sponsored by Studio Graphique of Apple France (Paris) and Actes Sud (Arles). Resulting images exhibited a Mac Expo, Paris. Related work exhibited at Third International Symposium on Electronic Art, (Sydney, Australia), Shirley Fiterman Gallery (New York, NY) Imagina (Monte Carlo, Monaco), Memorial Art Gallery (Rochester, NY). In collection of Memorial Art Gallery.
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1988: |
Avignon After Image: Morrill Hall Mural. Large Scale mural produced in porcelain baked enamel for Southern Connecticut State University commissioned by the Art in Public Spaces program, Connecticut Commission on the Arts. Possibly first large mural entirely designed by computer. Documented in research by Martin Rieser (Bristol, UK).
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