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AUDIOLATS
   



AUDIOLATS


Des pastilles à sucer pour l'oreille
La collection de pastilles sonores de Leonardo/Olats
    
Ear Candy
Leonardo/Olats Sound Bites Series


Annick Bureaud & Jean-Luc Soret
Producteurs / Producers


Audiolats est la chaîne de publication audio de Leonardo/Olats sur la plateforme Creative Disturbance. À la croisée de la publication et de la création sonores, elle propose trois formats : "Rencontre avec ...", où une personnalité présente ses idées et recherches ; "Il était une fois une œuvre ....", où une personnalité parle d'une œuvre qu'il ou elle considère comme marquante dans le domaine art, science, technologie ; "Et ça veut dire ?", où une personnalité donne sa définition d'une notion, d'un concept ou d'un champ de recherches.
        Audiolats is Leonardo/Olats audio publication chanel on the Creative Disturbance platform. At the intersection of sound creation and publication, it proposes three kind of soundcasts: "Meeting ...", in which an artist, a scientist, a curator or any other creative mind shares his or her researches and ideas; "Milestone Works", in wich the person details an artwork in the field of art, science, technology that he or she considers a milestone; "Meaning?", in which the person gives his or her definition of a notion, a concept or a research field.




  Artificial photosynthesis, clearing the sky with artificial diamond

Artificial photosynthesis, clearing the sky with artificial diamond, meeting with Pinar Yoldas (in English), 26'28
Recorded by Annick Bureaud on December 21st 2016 by skype, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.


  Experiencing the tangibility of a single atom
Experiencing the tangibility of a single atom, meeting with Tommaso Calarco (in English), 21'38
Recorded by Annick Bureaud on October 21st 2016 at Le Lieu Unique in Nantes at the exhibition of Evelina Domnitch and Dmitry Gelfand "Le vide et la lumière", in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.


    Inspired by Nature: Swarm of robots and artificial life works
Inspired by Nature: Swarm of robots and artificial life works, meeting with Vicky Isley & Paul Smith (Boredom Research) and Thomas Schmickl (in English), 34'12
Recorded by Annick Bureaud on September 10th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM), "Nouvelles Machines" by Pete Namlook & Geir Jenssen and the sound pieces "After Glows" and "Shake Flake" by Boredom Research.


    Slices of Reality: Ion Trap & Quantum Lattice
Slices of Reality: Ion Trap & Quantum Lattice, meeting with Evelina Domnitch and Dmitry Gelfand (in English), 28'48
Recorded by Annick Bureaud on September 10th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.


      Quantum probing, experiencing nature or science?
Human priorities at exascale computing, meeting with Špela Petrič, Miha Turšič, and George Beckett (in English), 28'40
Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.


  Quantum probing, experiencing nature or science?
Quantum probing, experiencing nature or science?, meeting with Ruth Jarman, Semiconductor (in English), 24'44
Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.


  Bacteria as an art medium
Bacteria as an art medium, meeting with Anna Dumitriu (in English), 27'12
Recorded by Annick Bureaud on September 9th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology project.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.


  Time & Space, between noise and signal
Time & Space, between noise and signal, meeting with Kerstin Ergenzinger and Simon Stellmer (in English), 22'52
Recorded by Annick Bureaud on September 8th 2016 in Linz during Ars Electronica, in the framework of the EU H2020 co-funded FEAT / Future Emerging Art and Technology.
Jingles and sound design Jean-Yves Leloup, musics Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and "Nouvelles Machines" by Pete Namlook & Geir Jenssen.


    Heirloom and The Body Collected
Heirloom and The Body Collected, as seen by the curators, meeting with Louise Whiteley and Malthe Bjerregaard (in English), 23'46
Enregistré par Annick Bureaud le 27 mai 2016 à Copenhague dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)


  Heirloom
Heirloom, as seen by the artist and scientist, meeting with Gina Czarnecki and John Hunt (in English), 22'02
Enregistré par Annick Bureaud le 26 mai 2016 à Copenhague dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)


  Cellular Propeller
Cellular Propeller, as seen by the artist, meeting with Howard Boland (in English), 18'27
Enregistré par Annick Bureaud le 6 février 2016 à Berlin dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)


  Molding the Signifier
Molding the Signifier, as seen by the artist, meeting with Ivor Diosi (in English), 23'10
Enregistré par Annick Bureaud le 20 novembre 2015 à Prague dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM) and extracts of Molding the Signifier sound track. Montage : Thibaud Marty.


  Molding the Signifier
Molding the Signifier, as seen by the curator, meeting with Ondrej Cakl (in English), 12'15
Enregistré par Annick Bureaud le 20 novembre 2015 à Prague dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM). Montage : Thibaud Marty.


  Taste of Flesh / Bite Me I'm Yours  Confronting Vegetal Otherness: Skotopoiesis, as seen by the artist, meeting with Spela Petrič (in English), 15'09
Enregistré par Annick Bureaud le 12 septembre 2015 à Ljubljana dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)


  Taste of Flesh / Bite Me I'm Yours  Confronting Vegetal Otherness: Skotopoiesis, as seen by the curator, meeting with Jurij Krpan, (in English), 19'34
Enregistré par Annick Bureaud le 11 septembre 2015 à Ljubljana dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)


  Taste of Flesh / Bite Me I'm Yours  Taste of Flesh / Bite Me I'm Yours, as seen by the artist, meeting with Martin O'Brien (in English), 25'03
Enregistré par Annick Bureaud le 19 avril 2015 à Londres dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)


  Taste of Flesh / Bite Me I'm Yours  Taste of Flesh / Bite Me I'm Yours, as seen by the curator, meeting with Jareh Das, (in English), 22'02
Enregistré par Annick Bureaud le 19 avril 2015 à Londres dans le cadre du projet Trust Me, I'm An Artist soutenu financièrement par le programme Creative Europe de l'Union Européenne.
Jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing), Stefanski "Last Light Lament" (Atmos Production Music/UNIPPM)


  Performing with Jellyfishes Performing with Jellyfishes, rencontre avec Robertina Sebjanic (in English), 16'53
Enregistré par Annick Bureaud, le 6 février 2015 à Paris, jingles et habillage sonore Jean-Yves Leloup, musique extraits de la performance de Robertina Sebjanic avec les méduses Aurelia 1 + Hz / proto viva sonification.


 


Art-Science : Emergences et ruptures Art-Science : Emergences et ruptures, rencontre avec Roger Malina (Entretien intégral / Full interview), 25'28
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing)

1 - La culture des données  1 - La culture des données, Roger Malina, 5'19
(Art-Science : Emergences et ruptures)
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing)

2 - Interaction avec le vivant  2 - Interaction avec le vivant, Roger Malina, 5'30
(Art-Science : Emergences et ruptures)
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing)

3 - Innovation ou conservatisme  3 - Innovation ou conservatisme, Roger Malina, 3'47
(Art-Science : Emergences et ruptures)
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing)

4 - Conscience partagée & travail collectif  4 - Conscience partagée & travail collectif, Roger Malina, 5'43
(Art-Science : Emergences et ruptures)
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire", Sergey Lopoukha "Lull" (Universal Production Music Publishing))

5 - Hacker, Maker & Amatorat  5 - Hacker, Maker & Amatorat, Roger Malina, 6'52
(Art-Science : Emergences et ruptures)
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Carl Harms, David James Elliott "The Wire" ; Sergey Lopoukha "Lull" (Universal Production Music Publishing)

    



Leonardo Space Art & Science Workshop "Visions for the 21st Century", Paris, March 2019
Each participant to the workshop answered the same first question and then two other questions picked up among a set of cards. Sound design Jean-Yves Leloup.
Project website:
http://www.olats.org/space/sasc21/2019/sasc21_2019.php

What has attracted you to space 0 - What has attracted you to space, 13'38
Humans or Robots 1 - Humans or Robots, 4'23
Dark Night or Full Moon 2 - Dark Night or Full Moon, 4'37
Astronomy or Astronautics 3 - Astronomy or Astronautics, 4'57
Colony or Space Station 4 - Colony or Space Station, 10'06
Space Art or Space Culture 5 - Space Art or Space Culture, 4'31
We are in 2121 6 - We are in 2121, if we were to have a workshop on space art science and culture, what would you like to be talking about, 6'36
Ask your own question and answer it 7 - Ask your own question and answer it, 7'21


  Art spatial Art spatial par Roger Malina, 2'23
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Sergey Lopoukha "Lull" (Universal Production Music Publishing) - Référence complémentaire / Further reading


  Ere spatiale Ere spatiale par Roger Malina, 6'58
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014 à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Sergey Lopoukha "Lull" (Universal Production Music Publishing) - Référence complémentaire / Further reading



Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts, Douglas Kahn, University of California Press, 2013, présenté par Roger Malina, 5'43
Enregistré par Annick Bureaud & Jean-Luc Soret, le 11 septembre 2014, à Paris, jingles et habillage sonore Jean-Yves Leloup, musiques Sergey Lopoukha "Lull", Alexander Zaitsev, Ilya Baramiya "New Numbers" (Universal Production Music Publishing)




Chaînes associées à Audiolats - Audiolats related channels

Meta-Life Pioneers & Pathbreakers Space Art & Culture Afrique virtuelle

   



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