This article discusses art's potential in outer space through a dialogue between European and Russian avant-garde traditions, and postgravity art project by Dragan Zivadinov, Dunja Zupancic and Miha Tursic. They enact a 50-year theater performance, Noordung::1995-2045, with the help of high tech, Suprematism and Constructivism. The performance is based on five replays every 10 years with the same actors and on technological substitutes of the deceased. The project has several topical theoretical implications. The author explores its key philosophical aspects and presents new potentialities for a systemic cognitive model for image and space conceptual transformations within the context of contemporary art and aesthetics.